online publication, had already happened by the time the
Worlds of Journalism pilot study and the NCTJ survey were
carried out? After all, many newspapers were fully online by the
turn of the millennium.
20
Our survey shows that there is a correlation between the
medium that journalists work in and the number of stories
they produce or process. Journalists who work online in some
capacity produce 71% more stories than journalists who do
not work online at all. This di erence is even larger in the
comparison between journalists who only work online and those
who do not, where there is a 186% increase in the number of
stories produced or processed.
21
Even when we compare those
journalists working on a daily newspaper with those working
in stand-alone online outlets, we see the online journalists
producing 17% more news items per week (see Table 3.4).
Should, then, we be worried about how online journalism
seems to have increased the volume of stories that journalists
produce? Not necessarily. It does not follow that the higher
volumes of stories produced online are of lower quality. First,
the collaborative possibilities o ered by online journalism mean
that journalists are not solely reliant on their own e orts, but
can harness material from their own readers, and from social
media, and so forth, thus potentially reducing the time required
to publish a story. Secondly, new formats for news output have
emerged online, such as tweets, which are by their very nature
limited in length and, as a result, fast to produce.
However, haste is an issue for concern. Thurman and Walters
(2013) described the ‘relatively loose culture of corroboration’
they found in the practice of live blogging, an online news format
which emphasises rapid updates. And with our data showing
that some rank and fi le journalists are producing, processing,
or editing 50, 60, or even 75 stories per week – a fi gure rising
through the 100s, 200s, 300s, and even as high as 500 if we
include junior and senior editors – there are genuine concerns
about whether standards of verifi cation, one of journalism’s
fundamental principles, can be maintained. Our survey showed
no statistically signifi cant di erence between journalists who
worked online and those who did not in terms of whether they
believed it was ‘always’ or ‘sometimes’ acceptable to publish
stories with unverifi ed content. However, as a species, we adapt
to new realities relatively easily, with the result that it may be
di cult to recognise when standards have slipped. An online
journalist at BBC World News quoted in Thurman and Schapals
(2016) recognised this to be the case when he talked about the
‘rivalry with other news outlets . . . about who could publish fi rst,
with “competitions” sometimes decided by “fractions of seconds”’.
Under the infl uence of that rivalry, he said, there had been ‘“less
onus” to be “close to 100 percent sure” about the accuracy of
statements’ and ‘the two-source rule [had] become “a bit more
exploded”’. In that case, however, the dangers of such practices
had been recognised and the journalist believed that ‘the
pendulum had started to swing back towards accuracy . . . [with]
more acceptance that journalists can take an extra few minutes
to “make sure this is factually right”’. Unfortunately, awareness of
the consequences that can come with the ability to publish almost
instantaneously may not be as high in every newsroom.
3.5 CONCLUSIONS
In this section we have shown how, even in an era of media
convergence, only a minority of UK journalists cross the
boundaries between print, broadcast, and online working.
This is not, however, to deny the relevance of new skills. With
over half of UK journalists working wholly or partly online,
opportunities exist for journalists to practise multi-media
storytelling – within commercial constraints and subject to
their own personal abilities. The decrease in employment at
newspapers and the increase in online outlets is giving more
journalists the chance to take such opportunities. However,
the fi nancial compensation for such work is not, yet, at a level
equivalent to that enjoyed by those who remain exclusively
employed in newspaper journalism.
About half of UK journalists consider themselves to be subject
specialists, and our survey shows that ‘Business/economics/
fi nance’ is the most populous specialism, followed by ‘Culture’,
then ‘Sports’ and ‘Entertainment’. The distribution of these
beat reporters across the di erent media types is broadly
as might be expected, although we see a higher proportion
of technology, entertainment, and sports specialists working
online, which, perhaps, shows that the nature of online news
consumption – interactive, from everywhere, and around the
clock – favours the production of certain types of content.
Our survey reveals intriguing contradictions in journalists’
perceptions of, on the one hand, their editorial independence
and, on the other, the infl uence of external factors such as
time and audience demands. This suggests, perhaps, that the
freedom they say they have is either somewhat illusory and/or
a construct used to help defi ne a professional identity.
Finally, we considered productivity. By international standards
UK journalists seem to have a little more time to work on each
news story. However, they believe there has been a reduction
in the time available to research stories, and our survey
suggests an increase in online working may be the cause, with
signifi cant di erences in the number of stories produced or
processed by journalists working online and those who do not.
Although this pattern has probably been established for some
years, and does not appear to be changing signifi cantly, the
consequences, such as tendencies to adopt a ‘looser culture of
corroboration’, must be kept under close scrutiny.
20
E.g. the Daily Telegraph launched the Electronic Telegraph in 1994 (Richmond, 2009) and the Financial Times’s FT.com started one year later in 1995 (FT.com, 2016).
21
Some of this is due to the fact that journalists working for the online outlet of an offl ine parent process a higher than average number of stories, perhaps because
they are uploading stories from the offl ine outlet onto the web.
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WORKING ROUTINES